Skip to main content

Photographers: reasons to be thankful

Emiel is a horse breeder. He also helps out in his community doing things like driving the school bus. Here he listens to an amusing anecdote his wife is relating during a chat with friends and family at his kitchen table.

Emiel amused.

Emiel day dreaming.
As a photographer I consider it a great priviledge to be allowed into people's lives. When someone chooses to share a few moments of their life with you in front of your camera it is a gift.

I have the impression that some photographers think that owning a camera gives them the right to take photographs of anyone they come across. I do not share that view. To me every smile or glance that says, "Yes, it's fine; you can take a picture of me," is a precious gift, to be treated with respect and care,and to honoured with the best photograph that I can make.

It's sad that when someone says "no" to a photographer they go away in a huff, feeling angry and rejected, as if their camera has given them some sort of blank cheque on people's time and presence in front of their lens. The world and the people in it owe us nothing as photographers.

My feelings extend to professional models too. Sure they're earning money and paid to pose for the photographer but what they choose to give us is up to them. If you treat a model with respect and enjoy the art they create in front of your lens you will achieve far more than you would shouting orders like a mini-dictator. Now some of you may be thinking of a really difficult model and session...but if a model really does not want to work with you then move on and find one that does want to create art together. Your best work is unlikely to happen in an environment filled with anger and ill will.

But I digress. Certainly for photojournalists and documentary photographers being able to share people's lives, often during difficult times is a privilege.

Till soon,

Paul
www.indigo2photography.co.uk

Comments

Wade said…
You don't allow the whole wide world of street photography? You simply can't get certain wonderful sorts of photos asking permission. A lot of the great photos ever taken are shots of people who weren't telegraphed about the presence of a sneaky deadeye cameraman. I'm not interested in offending anybody. I'm interested in getting good photos from the stream of candid life unaffected by set-ups. And surely it's taken for granted that a model & a photographer work together amicably & cooperatively & understandingly. What's the point otherwise?
barry said…
Chuck all street photography? All that candid life. You just can't always ask permission & then pose the person & expect to see that person
unselfconsciously in the semi-raw as you do on the street. Gentlemanliness is essential in life. But there are exceptions to this. The true-hearted photographer after true faces in the wild is exempt....And what's the point if photographers & their models aren't cooperative with & understanding of one another? This happens? Walk away.
I'm also a street photographer and I take pictures of people without them knowing that they're being photographed.

The point I was trying to make is simply that we should acknowledge that our subjects are giving something of themselves when we photograph them. Sometimes they participate and other times they don't.

The thing I am against is treating people as objects and photographing them without recognising their humanity and without paying them due respect.

It's a bit abstract but it is the attitude of the photographer that this blog is about.

Popular posts from this blog

Approach to taking a portrait

Portrait of Amitabh Bachchan. Click on the image to see larger version. Every portrait is different but there are also elements which are the same, whether you’re shooting the famous or the locally famous. Fame is of course all relative. It depends on profession, accomplishments or media celebrity status. Whoever the ‘famous’ individual is there are millions of people in the world who will never have heard them. For example I photographed the legendary Indian Bollywood actor Amitabh Bachchan, who amongst his many accolades was awarded the Legion d'Honneur, the highest civilian award of France. But I’m positive that many people in North America will not have heard of him – although he has more fans than Tom Cruise, Jack Nicholson and Robert De Niro put together. I find that however well known a person is cracking through egos and insecurities is really important when it comes to getting authentic strong portraits. However I hasten to add that when it came to photographing Amitabh th

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa

Don't use your camera on manual settings

Antwerp successfully preserves a sense of tradition and history, here with the horse drawn carriage and the famous Cathedral in the background, making it attractive to tourists, while at the same time boasting some beautiful modern architecture. The picture above was a split second grab shot. As usual my Canon EOS 5D was set to AV (aperture priority) and I trusted my light meter to give me the correct exposure. As it happened the background sky was extremely bright and the foreground in deep shadow, so the background was a bit overexposed. Using the RAW file's information I was able to retrieve detail everywhere important. Read any guide to improving your photography, listen to photographers advice and you'll be told to set your camera to manual. Using program mode is strictly for amateurs we're told. Well I beg to differ and respected photography tutor John Wade shares my viewpoint. Camera design these days has advanced tremendously and automatic metering has become relia